Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis

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Has "damaged" stamped on the title page. Author: Rooke, Deborah W. Like New - An apparently unread copy in perfect condition. Dust cover is intact with no nicks of tears.

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Add to cart. Rooke , Hardcover. Be the first to write a review About this product. About this product Product Information Handel's Israelite oratorios are today little known among non-specialists, but in their own day they were unique, pioneering and extremely popular.

Dating from the period , they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas or the attitudes towards the biblical text that might be conveyed in the oratorios' libretti.

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This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W.


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Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph and his Brethren, Judas Macchabaeus, Solomon, Susanna and Jephtha - and evaluates the relationship between each libretto and the biblical story on which it is based. Additional Product Features Dewey Edition.

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    Exegetical Studies

    Dating from the period , they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas or the attitudes towards the biblical text that might be conveyed in the oratorios' libretti. This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W.

    Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph and his Brethren, Judas Macchabaeus, Solomon, Susanna and Jephtha - and evaluates the relationship between each libretto and the biblical story on which it is based.

    Handel's Israelite Oratorio Libretti Sacred Drama and Biblical Exegesis

    Rooke comments on each biblical text from a modern scholarly perspective, and then compares the modern interpretation with the version of the biblical narrative that appears in the relevant libretto. Where the libretto is based on a prior dramatic or literary adaptation of the biblical narrative, she also discusses the prior adaptation and how it relates to both the biblical text and the corresponding oratorio libretto. In this way the distinctive nuances of the oratorio libretti are highlighted, and each libretto is then analysed and interpreted in the light of eighteenth-century religion, scholarship, culture and politics.

    The result is a fascinating exploration not only of the oratorio libretti but also of how culture and context determines the nature of biblical interpretation. Deborah in Holy Writ and Handel. Aspects of Athalia.